Showing posts with label san bruno. Show all posts
Showing posts with label san bruno. Show all posts

Tuesday, October 15, 2013

"Cutlass, Light Across the Field"


8x10" oil on canvas panel (sold)

This is a scene that caught my attention in a very subtle way. I don't like searching for things to paint, I'd much rather come across something inspiring during everyday life. This was painted from an image taken while on a late afternoon walk through San Bruno Park. Even though the photo was taken in California, the scene brought back memories of childhood days in New Jersey.

Thursday, September 27, 2012

Saturday, September 15, 2012

"Apartments Down the Street"


10x8" oil on canvas panel

Electrical work is rough on the body. I was drilling some rather large holes through some rather hard wood with something known as a "Hole Hawg"about six weeks ago and it was a bit too much for the elbow joints. I'd been able to work through the discomfort until a few days ago. I'm taking a few days off to hit the ice pack. The good news is I can still paint, so I've been having fun working my way through a stack of 8x10 panels.




Thursday, September 13, 2012

"Green Pickup"


8x10" oil on canvas panel

If I had painted this image a year ago I probably would have eliminated the clutter in the background and just painted sky instead. For some reason I decided to leave the clutter and I'm glad I did.... I kinda like it.

Tuesday, March 6, 2012

"Home"


7x5" oil on masonite

This will be my last small painting for a while. I'm feelin' the need to paint big.

Tuesday, February 14, 2012

"Houses on a Hill"


6x6" oil on Gessobord

These houses are a few blocks from my house. I painted this with a single large brush. I was thinking of painting something Valentine's Day related but I just couldn't make it happen. Happy Valentine's Day anyway! On another note....

The Plein Air Question

When I first started painting I was told that you shouldn't paint from photographs. I read this in books mostly. I've continued to hear this over the years and I'm wondering how painters and collectors feel about it. 

I've painted countless paintings en plein air and I don't think they're any better than the ones I've done from digital images. In fact, they're usually not as good. Some plein air painters talk about capturing the smell of the salt air or the sound of the wind through the pines in their paintings. That hasn't happened for me.

Others will talk about there not being enough information in photographs. "The shadows are too dark" or the "lights are blown out". That may be true for prints but not on a computer. You can boost or reduce the exposure in seconds.

Another argument is that plein air painting forces you to paint looser and more spontaneously. I'm not so sure about that one either. I think looser paint handling comes with confidence and experience (and a desire to paint in that style of course). I think how one handles the paint has more to do with personal choice than the environment in which one paints.

The way I see it, plein air painting is a lovely way to spend some time outdoors (as long as there aren't any bugs and it's not too hot, cold or windy). It's especially nice to do with others. I don't think it makes a painting more valid. Digital photography is just another tool.  It allows us to capture and paint moments that we wouldn't otherwise have a chance to paint. I suppose some folks will disapprove just as some disapproved of paint in tubes. "You must grind your own pigments and mix your own colors or it isn't art!!" 

Ok, I'm thinking too much. I need to get out of the studio, maybe I'll go do a painting outdoors. But I'm not expecting it to be a keeper.  Oh yeah... and I'm bringing my camera!!


Thursday, February 2, 2012

"Aqua Bel Air" - SOLD


8x10" oil on canvas panel

This scene catches my eye every time I drop my car off at my mechanic's garage. I had to have a brake job last week and this time I brought a camera.

Tuesday, August 30, 2011

"Bougainvillea "


20x20" oil on canvas

I'm feeling inspired to tackle some larger canvases. The challenge is to keep the feel of my smaller paintings while working on a larger scale. It's a tough balance; maintaining control yet not being too careful. I've been working quickly, trying not to hold back. Through recent experimentation I've discovered that if the drawing is out I won't be happy with the end result, so I'm trying to be spontaneous but keep it somewhat accurate.