Showing posts with label 8x8 inch oil on masonite. Show all posts
Showing posts with label 8x8 inch oil on masonite. Show all posts

Thursday, September 12, 2013

Powell Street


8x8" oil on masonite

I've decided to do some larger versions of my recent cityscapes. Even though these are only slightly larger than the paintings for 50/50, they were definitely more difficult. Next I plan to do some 20x20" versions. I'm trying to work my way up in size and yet maintain the look of the smaller paintings. I posted a gallery containing a few more 8x8s on my facebook page, you can take a look by clicking here.

Wednesday, April 3, 2013

"Kiwis"


8x8" oil on masonite - sold
Studio Gallery, San Francisco

Here's another from the "Delicious" show. I liked the idea of doing a simple arrangement of fruit with a light colored creamy background. This is a larger version of an earlier painting.

Monday, April 1, 2013

"Orange Wedges"


8x8" oil on masonite - sold

Here's another from the the "Delicious" show. I did a smaller version of this a while ago and thought I'd see if it would work a bit larger.

I did several more experimental messy paintings this morning but I probably won't be posting them. They served their purpose by helping me come to the conclusion that the changes I'm looking for aren't in the way I paint so much as in how I think. 

I'm beginning work on paintings for "City Streets" which starts in April at the Studio Gallery. I plan to paint smaller panels, 12x12" and under. I'm looking forward to this show, it's a fun challenge finding new approaches to painting SF. 


Friday, March 15, 2013

"Good Humor Man"


12x12" oil on masonite

I remember when the ice cream trucks changed. Before 1977 there was the Good Humor Man, after 1977 there was a guy named Al in a truck covered with stickers selling everything from Doritos to Bubbleyum. He used to allow kids to buy on credit. A kid in my neighborhood racked up a $20 tab before Al gently cut him off. Finally the kid's mom came to the truck one day and paid his debt and the boy was back in business.

The Good Humor Man couldn't compete with Al. The ice cream was good, but there weren't that many choices. I really loved the Good Humor strawberry eclairs, but most kids were more interested in Bomb Pops and Italian ices from Al. I liked Italian ices too, but I loved the whole Good Humor style. The heavy chrome handled refrigerator doors. The white suit. The incredibly cool shiny change dispenser he wore on his belt. I was very impressed by the whole presentation. It seemed like a special event when the Good Humor truck pulled up ringing its bells.

On the other hand, Al was a heavy guy in his late fifties who wore old t-shirts and always seemed to need a shave. His truck didn't look any better than he did, it was pretty beat up and endlessly blasted Pop Goes the Weasel. The truth is, Al was a decent guy. He actually became friends with the kids and would stay and talk and laugh. Everybody liked him despite his ragged appearance.

I'm sure there were Good Humor men that had a similar rapport with their regulars in earlier times, but by the mid seventies most of the Good Humor men seemed cautious and reserved. Many of these men were in their late sixties, clean cut and clearly from a different time. I don't think they had much in common with the long haired ragamuffins that seemed to have taken over the parks and playgrounds. I can't say I blame them for being a bit nervous around this new generation.

I don't recall seeing a Good Humor Truck after the summer of 1977. I'm not saying that's a bad thing, change is inevitable and I suppose I liked the infinite choices Al provided. It was nice to be able to buy a Sugar Daddy if I wasn't in the mood for ice cream, but part of me really missed watching the man in white open his little refrigerator door and reach in through the frosty air to get me a strawberry eclair.



Thursday, March 14, 2013

"Strawberries"


8x8" oil on masonite - sold
Studio Gallery, San Francisco

I've received a few emails asking about the natural wood floaters I've been building so I decided to post a video, you can check it by clicking on the link below.

Sunday, March 10, 2013

"TV Dinner"


8x8" oil on masonite

Now this is what I call a meal. I don't recall ever eating a TV dinner in front of the television but if I did, it was most likely while watching Little House on the Prairie or The Waltons. 

TV dinner memories anyone?

I just delivered "TV Dinner" and 22 other paintings to the Studio Gallery for "Delicious", which opens this week. The reception is Sunday March 17th from 2-6pm. I can't say enough about this gallery so if you're in SF be sure to check it out!

Wednesday, March 6, 2013

"The Lobster Pot"


8x8" oil on masonite

I've finally finished my food related paintings for "Delicious" at the Studio Gallery. I'll be posting them over the next week or two. I've been working all day on the frames. My favorite frames are natural wood floaters which happen to be incredibly expensive so I build them myself. 

The painting above is of The Lobster Pot in Provincetown.

Wednesday, February 20, 2013

"Oysters, After"


8x8" oil on masonite - sold

This is my final oyster painting. I was really surprised by all the subtle color in the empty shells.

Tuesday, February 19, 2013

"Oysters, Before"


8x8" oil on masonite - sold

It's almost time for the annual "Delicious"show at the Studio Gallery so I'm working on some food related paintings. This was painted from a photo taken at a roadside oyster shack on Tomales Bay.